Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics.
The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead-in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves.
Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower.
Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead-in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters.
The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look.
This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version Sans and Modern contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in three weights. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.
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Mrs Eaves Font – Download Free
Brigade Alan Meeks Collection. Erato Hoftype. Combi Serif Aviation Partners. Adriane Text Typefolio Digital Foundry.Mrs Eaves is an historical revival based on the design of Baskerville. In translating this classic to today's digital font technology, I focused on capturing the warmth and softness of letterpress printing that often occurs due to the 'gain' of impression and ink spread.
This font is not shareware. Use of this font requires the purchase of a license from Emigre, www. Copyright c Emigre Graphics, All rights reserved. Expanded and digitized from the Bluemlein Script collection by Alejandro Paul. Trademark Please refer to the Copyright section for the font trademark attribution notices. Description Mrs Eaves is an historical revival based on the design of Baskerville. Bold Zuzana Licko Copyright Copyright c Emigre Graphics, Roman Zuzana Licko Version 2.
Copyright Copyright c Emigre Inc, Italic Zuzana Licko Regular Zuzana Licko Version 1. Leavestrees Packages Leavestrees. Regular Tony Nash Copyright Copr. Copyright by Lanston Type Co. Leaves2CH Tony Nash A11 Tony Nash Leaves2XH Tony Nash Leaves2BH Tony Nash Mrs Kichinto Packages Mrs Kichinto. Bold Tony Nash Treesandleaves Packages Treesandleaves.
Mrs Blackfort Packages Mrs Blackfort. The latest addition fonts More Egidia Style : Regular.The original designer of Mrs Eaves small-caps font was John Baskerville. He created this font in in Birmingham, England and named it after his wife Sarah Eaves. Zuzana Licko redesigned the font with the original face in Free to download Mrs Eaves Font is quite amazing with the contrast between thin and thick strokes.
The font is also a Microsoft word font and included in Adobe fonts. Baskerville wanted to create such a font style with the perfection that it was often criticized for accuracy, stark, and difficult to read. Also, she gave Mrs Eaves Fonts the look of a petite caps. Later in she presented it in the competition and got the best context position for the usage. Beautifully designed Mrs Eaves Font is quite appealing for the text format.
After redesigning the font has got a unique outlook for the writing concepts. Mrs Eaves font has both a free version and a paid version. You can use the free version for personal use.
But, for commercial use, you have to purchase the license from the distributor. After downloading the zip file you will have the full set of Mrs Eaves font. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Table Of Contents. Mrs Eaves Font Family View. Character Map. Download Font. Leave a Comment Cancel Reply Your email address will not be published.It was styled after Baskerville, the famous transitional serif typeface designed in by John Baskerville in Birmingham, England.
As a result his types were often criticized for being too perfect, stark, and difficult to read. Licko noticed that subsequent interpretations and revivals of Baskerville had continued along the same path of perfection, using as a model the qualities of the lead type itself, not the printed specimens.
Upon studying books printed by Baskerville at the Bancroft Library in Berkeley, Licko decided to base her design on the printed samples which were heavier and had more character due to the imprint of lead type into paper and the resulting ink spread. She reduced the contrast while retaining the overall openness and lightness of Baskerville by giving the lower case characters a wider proportion.
She then reduced the x-height relative to the cap height to avoid increasing the set width. Its individual characters are at times awkward looking—the W being narrow, the L uncommonly wide, the flare of the strokes leading into the serifs unusually pronounced.
The spacing is generally too loose for large bodies of text, it sort of rambles along. Yet when used in the right circumstance it imparts a very particular feel that sets it clearly apart from many likeminded types. It has an undefined quality that resonates with people. Proof, perhaps, that type is best judged in the context of its usage. Even with all its shortcomings, Mrs Eaves has outsold all Emigre fonts by manyfold, and through major type distributors such as MyFonts, Mrs Eaves has been among the best selling types for years, listed among such classics as Helvetica, Univers, Bodoni and Franklin Gothic.
Due to its commercial and popular success it has come to define the Emigre type foundry. While Licko initially set out to design a traditional text face, we never specified how Mrs Eaves could be best used.
Typefaces will find their own way. Trips to bookstores are always a treat for us as we find our Mrs Eaves staring out at us from dozens of book covers in the most elegant compositions, each time surprising us with her many talents. Visit foundry page. Visit designer page. As with everything from Adobe Fonts, you can use these fonts to publish:.
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See our Licensing Details. You may encounter slight variations in the name of this font, depending on where you use it. Fonts in the Adobe Fonts library include support for many different languages, OpenType features, and typographic styles. Learn more about language support. Learn more about OpenType features.
Upload a photo to scan for similar type. Mrs Eaves Designed by Zuzana Licko. From Emigre. All Fonts Active. Add to Web Project.Mrs Eaves is a Transitional serif typeface designed by Zuzana Licko and published in through Emigre.
It was one of the first typefaces I learned to easily identify—the low x-height, wide proportions and generous spacing make it a distinctive face that stands out amongst other serifs. Mrs Eaves is extremely popular in the print world but unfortunately, like other Emigre typefaces, it never quite took off on the web.
Adobe Fonts includes this family for both desktop and web use with unlimited pageviews. Get the entire Adobe Fonts collection with all Creative Cloud plans. Get this curated collection of full-size, high-resolution screenshots to add to your personal inspiration library when you subscribe to my weekly type roundup newsletter. If you find Typewolf useful, then please use these links as a way to show your support. Mrs Eaves Specimen. Mrs Eaves Font Pairings.
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Please enter a valid email address.Mrs Eaves is a transitional serif typeface designed by Zuzana Licko in It is a variant of Baskervillewhich was designed in Birmingham, England, in the s. Mrs Eaves adapts Baskerville for use in display contexts, such as headings and book blurbs, through the use of a low x-height and a range of unusual combined characters or ligatures.
Mrs Eaves was released by Emigrea type foundry run by Licko and husband Rudy VanderLansand has been joined by an 'XL' version for body text, as well as Mr Eavesa sans-serif companion. Like his typefaces, John Baskerville was, himself, a controversial character. As Baskerville was setting up his printing and type business, he hired Sarah Eaves as his live-in housekeeper; eventually, her husband Richard abandoned her and their five children, and Mrs Eaves became Baskerville's mistress and eventual helpmate with typesetting and printing.
She married Baskerville within a month of her estranged husband's death. Selection of the name Mrs Eaves honors one of the forgotten women in the history of typography. Like Baskerville, Mrs Eaves has a near vertical stress, departing from the old style model. Identifying characters, similar to Baskerville's types, are the lowercase g with its open lower counter and swashlike ear.
Both the roman and italic uppercase Q have a flowing swashlike tail. The uppercase C has serifs at top and bottom; there is no serif at the apex of the central junction in uppercase W ; and the uppercase G has a sharp spur suggesting a vestigial serif. Licko's design is unorthodox and not a pure revival.
In creating it, she was influenced by how it would be printed by contrast to printing in Baskerville's time: considering the flatness of offset lithography in comparison to letterpress printing, and the resolution of set devices and on-screen display.
The overall stroke weight of Mrs Eaves is considerably heavier than most other revivals, countering the often anemic reproduction of smaller point sizes in other digital revivals of Baskerville, and restoring some of the feeling of letterpress printing's unpredictability.
To compensate for this and create a brighter-looking page, Licko lowered the x-heightreducing the amount of space taken up by ink on the page.
In an interview featured in Eye No. Several derivatives of Mrs Eaves have been released. Mrs Eaves XL was intended to provide a solution to a common criticism of Mrs Eaves' original release: its very loose and uneven spacing, which makes Mrs Eaves unsuitable for body text. Emigre noted themselves that "The spacing is generally too loose for large bodies of text, it sort of rambles along Economy of space was not one of the goals behind the original Mrs Eaves design.
Both heights were released in two widths: regular and narrow, and in two styles: Sans, a humanist design closest to the original serif model, and a more simplified Modern design resembling geometric sans-serif fonts like Futura. Mrs Eaves is particularly well known for its range of ligaturesranging from the common to the fanciful and including intertwined and swash designs. Ligatures in all variants of Mrs Eaves include the standard fi, ffi, and fl ligatures, as well as the classic eighteenth-century ct and st ligatures and others with no historical precedent.
These have been released in a variety of formats: originally ligatures were released in separate expert set fonts; more recently they are issued as stylistic alternates using the OpenType format. A Just Ligatures variant is available in roman and italic. The OpenType format fonts also contain all ligatures.
The WordPress logotype is set in Mrs Eaves. Blacktree's Quicksilver wordmark uses Mrs Eaves. Roman and petite caps.
Bowdoin College uses Mrs Eaves in the college wordmark and in many other official materials. Radiohead 's album Hail to the Thief prominently used Mrs Eaves in its related artwork. The body text from the published Browne Review. Coldplay uses the font currently in their logo along with any other promotional artwork related to their album A Head Full Of Dreams. From Wikipedia, the free encyclopedia.
Transitional serif typeface designed by Zuzana Licko. New York, Princeton Architectural Press.